Architecture firm OMA's research and design studio, AMO has, for the past few seasons, produced a short film in place of Prada’s conventional look book. Their new, two and a half minute clip for Prada, entitled Real Fantasies, places real models in a near-abstract setting, which morphs from a sleek apartment to a highway to a train station, all while showcasing the muted, geometric new spring/summer 2016 Prada collection for men and women.
Sunday, February 28, 2016
Vieira da Silva, one of the most important artists of the XXth, contributed to the reinvention of "space", distorting the concept according to her imagination and giving it a new intellectual and spiritual dimension. The legacy of cubism is clearly present in her work through recompositions of her subjects which follow multiple viewpoints.
The exhibition "Vieira da Silva, l'Espace de Jeu" presented at the Galerie Jeanne Bucher in Paris, gives the opportunity to discover an artist little rarely exhibited in France. Her last exhibition took place at the Musée Fabre in Montpellier in 1994. The show traces the exceptional journey of the artist exploring more than half a century of creation with very rare works on view.
The exhibition is curated in close collaboration with the Foundation Árpád Szenes - Vieira da Silva Lisbon.
Image credit: Album cover image from PiL’s first album Public Image: First Issue (1978). © Dennis Morris – all rights reserved.
The ICA presents rarely seen photographs and ephemera relating to the early stages of the band Public Image Ltd’s (PiL) design from 1978-79 with a focus on the design of the album Metal Box. Original band members included John Lydon (aka Johnny Rotten - vocals), Keith Levene (lead guitar), Jah Wobble (bass) and Jim Walker (drums). Working closely with photographer and designer Dennis Morris, the display explores the evolution of the band’s identity, from their influential journey to Jamaica in 1978 to the design of the iconic Metal Box.
Set against a backdrop of political and social upheaval in the UK, the years 1978-79 marked a period that hailed the end of the Sex Pistols and the subsequent shift from Punk to New Wave. Morris sought to capture this era by creating a strong visual identity for the band. His subsequent designs further aligned PiL with a style and attitude that announced a new chapter in music history.
For PiL’s debut single Public Image, Morris designed a record sleeve in the format of a single folded sheet of tabloid newspaper featuring fictional content about the band. His unique approach to design was further illustrated by the debut PiL album, Public Image: First Issue (1978). In a very un-Punk manner, its cover and sleeve design imitated the layout of popular glossy magazines.
The band’s second album – the critically acclaimed Post-Punk classic Metal Box (1979) – further reinforced Morris’ approach to branding and promoting the PiL experience. While the album’s title was conceived by Lydon, it was Morris who designed the cover – a metal 16mm celluloid film canister – embossed with the band’s new PiL logo reminiscent of a breakable medicine tablet. The album’s distinctive packaging was produced at the Metal Box Factory in Hackney, prior to its closure, revealing a bygone age of local manufacturing within London.
Sunday, February 21, 2016
Exclusive interview with photographer Richard Young on the occasion of Let's Dance: a Tribute to David Bowie
On the occasion of Let's Dance: a tribute to David Bowie, an exhibition of twenty-five photographs by Richard Young at his eponymous gallery in London, 4 Holland Street, I caught up with Richard himself about his friendship and work with my hero. If you haven't seen the show, don't wait!
When and how did you meet David Bowie?
In 1964 when I was 16 I used to hang out in the Bataclan Club on Princes Street near Oxford Circus - a very cool place to socialise in the day. Occasionally, a guy called David Jones would come and hang out. On several occasions through David's mate Geoff MacCormack, we would all meet up at Geoff's house in Black Heath to listen to Jazz and Soul, and David would often be there, just hanging and drinking and smoking. David was good pals with my old schoolmate Marc Bolan. Little did I know then who David would become...
What’s your fondest memory?
My fondest memory of David is when we saw each other at the Tribeca film festival in 2007. When he saw me, he came over and gave me a big hug, we started chatting and I was winding him up about the suit he was wearing, we were deep in conversation and I noticed out of the corner of my eye that Graydon Carter, Editor of Vanity Fair, was looking a bit irrritated that we were chatting so long, I said “David, you’ve got to go, everyone's waiting for you!". Hunky Dory remains my favourite album!
Did you manage to stay in touch with him?
I stayed in touch with David throughout his career, I first shot him professionally in 1976 right up until the last time I saw him and Iman in New York at the Metropolitan Museum of Art in NY in 2008.
One of your photographs was used on the cover of the Times – can you tell us about this photo please?
This iconic photo was taken at The Cannes Film Festival in 1983 for a photocall for a movie he made with Catherine Deneuve and Susan Sarandon called The Hunger.
Which one is your favourite photo?
My favourite photo I took of Bowie was him in Elephant man taken on Broadway in NYC. I bought a matinee performance ticket and managed to get a seat in the second row, David came out on stage, I waited until he came out to centre stage, and took a few shots of him without flash on my Leica M4. After a short period of time I got a tap on my shoulder and was asked to leave the theatre!
All images: Copyrights Richard Young.
Don't miss 'a once-in-a-generation chance' (The Guardian) to experience Philip Glass's mesmerising opera Akhnaten. Its UK premiere was at ENO in 1985, and it has not been seen in London for almost 30 years. This exciting new production is directed by Improbable theatre company's Phelim McDermott, following his spectacular stagings of Glass's Satyagraha and The Perfect American at ENO.
Available next March and published by Goodman, POP! The World of Pop Art is a solid and innovative book which uncovers Pop Art's origins in early-1950s London with The Independent Group and their fascination with American popular culture - leading to the name 'Pop'. It's very interesting to realise that Pop Art was actually coined in the UK and not in the US, the movement being associated so often to Andy Warhol. British art dealer Robert Fraser was probably responsible was introducing Warhol to the UK...
Inside Pop! there are also several pouches containing removable items of fascimile memorabilia from the artists' studios such as stencils used by Andy Warhol to create his Campbell's Soup paintings, Warhol's Cow Wallpaper first exhibited in 1966, early drawings by Roy Lichtenstein, poster for Claes Oldenburg's first solo exhibition at the Green Gallery and a comic strip created by Peter Blake amongst many other amazing objects! These removable items make the book very special and entertaining!
Finlay explains how The Indenpendent Group within the ICA in London where Pop emerged in the early 1950s, was formed as a think-tank and cabinet for artists and intellectuals discussing topics of popular culture - including artists Eduardo Paolozzi, Richard Hamilton, and Nigel Henderson; how artists such as Rauschenberg, Lichtenstein and Oldenburg introduced parody, wit and enthusiasm into their work.
"Pop art seeks not only to define its place within culture and society, but also to investigate the world at large and to view itself as a major artistic and theoretical discipline. Falsifying, aping, misappropriating and replicating, Pop artists will continue to debate concepts of originality, authenticity and the high and low in art and culture in ways that evidence the lasting power of the Pop art movement half a century after it's inauguration." says John Finlay.
Finally, POP! considers the influence of Pop art on other genres, in particular as the precursor to post-modernism and contemporary forms of art including the influence of Damien Hirst and Jeff Koons.
POP! The World of Pop Art by John Finlay, published by Goodman, March 2016, hardback with removable memorabilia, £30. www.carltonbooks.co.uk.
POP! The World of Pop Art by John Finlay, published by Goodman, March 2016, hardback with removable memorabilia, £30. www.carltonbooks.co.uk.
Monday, February 8, 2016
Sunday, February 7, 2016
The Spanish design duo Masquespacio has unveiled a collection called Toadstool, which borrows from Memphis’s colour palette and child-inspired shapes. The range, for Spanish brand Missana, comprises rounded blocks of offbeat colour, which assemble to create stools, a chaise longue and a circular coffee table.
Missana, also in Valencia, prides itself on its upholstering, and this range is covered in fabric by former Dior designer Raf Simons for textile manufacturer Kvadrat.
Amid rumours of Hedi Slimane's departure, the YSL Fondation recently announced two new museums set to open in 2017 to honour the work of iconic French couturier, with the first located at the Fondation Pierre Bergé - Yves Saint Laurent in Paris and the second Marrakesh a city YSL loved and which hosts the Villa Majorelle, estate of YSL and Pierre Bergé.
The Paris address will take over the 5 Avenue Marceau atelier where Yves Saint Laurent created his most iconic pieces from 1974 to 2002, and which houses La Fondation Pierre Bergé - Yves Saint Laurent since 2004. In April 2016, the Fondation will close its doors to allow for renovations in preparation of the upcoming project. Stage designer Nathalie Crinière and chief Yves Saint Laurent set designer Jacques Grange have been commission to recreate the original atmosphere of the fashion house, which will host the design studio as well as the haute couture salons. At the same time, thousands of kilometers away, a second museum is planned for the Rue Yves Saint Laurent in Marrakesh, near to Jardin Majorelle which the designer and Pierre Bergé saved from becoming a hotel development in 1980 and transformed into a flourishing attraction for locals and tourists alike.
Yves Saint Laurent first developed an attachment to the Moroccan city in 1966, drawing on it for inspiration for many years to follow. For Pierre Bergé, "it feels perfectly natural, 50 years later, to build a museum dedicated to his oeuvre, which was so inspired by this country". Showcasing the Fondation's impressive collection of original work, fashion and art lovers will flock to fashion's favorite new addresses from Autumn 2017.
Somerset House recently presented TINTIN: Hergé’s Masterpiece. Stepping inside the wonderfully eccentric world of artist-author Hergé and Tintin, his intrepid young reporter, the exhibition explored the evolution of the artwork of Hergé, from the simplicity of early newspaper strips to the genre-defining graphic work of the later books. Drawing on the archives of the Hergé Museum in Belgium, TINTIN: Hergé’s Masterpiece featured pencil sketches, character drawings, and watercolours alongside original artwork from the finished stories.
Windows were drawn into many of Tintin’s adventures and they took many forms in his stories, from sash windows to portholes, camera viewfinders to binoculars. The windows never appeared on the page by chance, just like the characters whose roles help to further the plot of the storyline.
Models of memorable locations such as Tintin’s apartment were on display and the exhibition designed in reference to one of Hergé’s favourite backdrops - Marlinspike Hall, Captain Haddock’s country house once owned by his maritime ancestor, Sir Francis Haddock.
“The secret of life is to love and to be loved,” Andrée Putman used to say to her daughter Olivia who follows the footsteps of her mother and works as a designer and interior architect. She's Head of the Putman Studio Paris since 2007. Un Peu d’Amour is a joyful fragrance for positive thinking and good vibes, dedicated to all lovers, available in the UK by Avery Perfume Gallery.
Monday, February 1, 2016
Marking 60 years since Joan Miró’s studio was founded in Mallorca in 1956, Mayoral presents an immersive exhibition recreating Miró’s atelier, curated by Elvira Cámara, Director of The Fundació Pilar i Joan Miró in Mallorca and produced in collaboration with historian Joan Punyet Miró, the artist’s grandson. It's a must-see, don't miss this exhibition!
Publié par mr_dopestar à l'adresse 12:20 PM
For Spring/Summer 2016 Haute Couture show presented in Paris last week, Viktor&Rolf further explored the notion of Wearable Art with a surreal merger of sculpture and clothing.
The collection, inspired by Cubism, consisted of a series of form where clothing and sculptural elements interacted with an increasing degree of complexity. The designs blur the boundaries between garment and sculpture, and question the relationship between wearer and clothing, sometimes overtaking the body and obscuring the face of the wearer.
The Snap Galleries present a collection of rare Sex Pistols photographs taken in London by Paris-based photographer Pierre Benain. The French photographer was introduced to Malcolm McLaren in the 1970s, and was asked to promote a Sex Pistols gig on the outskirt of Paris. The Sex Pistols played there on 3 September 1976 in front of a mixed crowd including the usual regular fans and the Bromley contingent including Siouxsie Sioux, Billy Idol and more. The artist became friend with the band and later took this opportunity to take personal shots of everyone, before the drama happened... This is an interesting exhibition with never-before-seen photos.
To celebrate 150 years of the publication of Alice’s Adventures in Wonderland, The British Library presents Alice in Wonderland an exhibition that explores the origins and fascination for the famous 1865 novel written by English author Lewis Carroll.
As we know, its narrative, colourful characters and imagery have been enormously influential in both popular culture and literature, and although the story has been adapated to various media, it continues to fascinate new generations of illustrators, authors and artists.
Lewis Carroll’s original manuscript with hand-drawn illustrations is on display in the exhibition which is quite stunning, alongside editions by Mervyn Peake, Ralph Steadman, Leonard Weisgard, Arthur Rackham, illustrations by Salvador Dali and other artists.